Tag Archives: photojournalist
OK, I know, all my serious photog friends (and apparently I’ve many, especially the journos and doc peops) have asked politely and even not so, that I please, please, not do this any more–They’ve related it to the first time someone got ahold of a fisheye lens (we’ve all seen that) or the first days of Photoshop (yikes!). One friend asked if this was the new Fibonacci lens. This was an iPhone app and meant for fun. My wife, bless her ruthless business heart, is always reminding me how important social media is for my wedding photography biz and how I should use Instagram for that purpose. I know but my iPhone and Instagram are for fun. I don’t want to be “on” all the time. As an artist I want to have places where I can explore, let my hair down and just shoot, edit, manipulate and photoshop my head off. All work and no play–right? We can’t be afraid to have fun or make fun (of Life, ourselves, etc).
This is obvious manipulation or Photoshopping and I don’t think I’m fooling anyone (not even trying)–also, this technique has been around for years, too. Wedding photography is hardly the standard for serious visual journalism (but sometimes it is and that is important too). But here is the kicker: These tiny planets make great gallery wraps that sell for $600-$1000 a print. I’ve a print that is going in a show this weekend as part of the Somerville Open Studios (http://www.somervilleopenstudios.org/) and BLINK! (http://digitalsilverimaging.com/digital-printing-blog/). That print is from a visual journalism workshop we ran in India as part of our Visual Reportage Workshop series (http://visualreportage.com/). It is a serious piece shot in the Dharavi slum. It is printed in black and white (because we all know how much gravitas that elicits–said with half a laugh and a wink). It shows the area in all its abject poverty and surreal beauty and I’m very proud of it. It is for sale there for $500 and nobody will probably buy it. But these gallery wraps of tiny planets from peoples weddings–well they are so fun and look great on canvas and folks love to have them hanging.
As a Boston wedding photographer, trained journalist and teacher/mentor of visual journalism I am always shooting, editing and thinking about photography. It is my Life right down to the everyday constant of documenting my family (sometimes to their protest). So while I was with my class shooting the Boston Marathon I again had some fun with the images from there. I know it is a serious sporting event but it was much more this year–my students did an admirable job with their video projects, the runners ran, the crowds cheered and security secured. It was festive and light and so to was my favorite photo:
This was one of my most “liked” photos on Istagram (http://instagram.com/dmpj) and while “likes” are no measure whatsoever of a photo’s merit or even worth–they are an indication of its dollar value to some degree. As artists we need to feel the value of what we do deep within us. It must scratch the itch on the ass of our Soul. But we also must eat, pay our bills and have enough money to by more camera gear, or paints or clay…and crazy iPhone apps ;-). And we must have some fun.
I wanted to take opportunity to promote a wonderful cause that does so much good. I’ve been lucky enough to witness it first hand for the past 6 years and we are headed back this March to continue our partnership. The God’s Child Project is the NGO (non-governmental organization) that we work with for our Visual Reportage Workshops.
Since 2007 when we brought our first group of photographers down to La Antigua Guatemala we’ve been returning each year with another buch of students eager to learn about what the project does for the poor and voiceless of Guatemala while at the same time expanding their photographic visions. We work alongside social workers, doctors, nurses, teachers and volunteers as they serve the children and families associated with the projects various organizations in Guatemala: Casa Jackson (a home and care center for malnourished children), The Scheel Center ( as specialized technical school), The Santa Madre Homeless Shelter and the Dreamer Center (the heart and Soul of the project and the main campus housing a school, medical and dental clinics, social work department, a library, chapel and weekly food distributions as well as the ITEMP (The Institute for Trafficked, Exploited and Missing Persons). Our students learn first hand through outreach and direct immersion with the professionals that run this incredible organization.
So what can you do? Sure, throwing money at it will help but as I’ve come to find out, direct involvement is what really makes the difference. If you want to get involved and need more info please click this link: http://www.godschild.org/get-involved. Another way to get involved if you are a budding photojournalist in the making or even a professional photographer that has always wanted to see how your photos can make a real difference–come join our Visual Reportage Workshop this March 8 – March 16. All the details are below:
Chris Gagne– DMPJ’s Senior Photographer: how does he do it?