Tag Archives: engagement session
OK, I know, all my serious photog friends (and apparently I’ve many, especially the journos and doc peops) have asked politely and even not so, that I please, please, not do this any more–They’ve related it to the first time someone got ahold of a fisheye lens (we’ve all seen that) or the first days of Photoshop (yikes!). One friend asked if this was the new Fibonacci lens. This was an iPhone app and meant for fun. My wife, bless her ruthless business heart, is always reminding me how important social media is for my wedding photography biz and how I should use Instagram for that purpose. I know but my iPhone and Instagram are for fun. I don’t want to be “on” all the time. As an artist I want to have places where I can explore, let my hair down and just shoot, edit, manipulate and photoshop my head off. All work and no play–right? We can’t be afraid to have fun or make fun (of Life, ourselves, etc).
This is obvious manipulation or Photoshopping and I don’t think I’m fooling anyone (not even trying)–also, this technique has been around for years, too. Wedding photography is hardly the standard for serious visual journalism (but sometimes it is and that is important too). But here is the kicker: These tiny planets make great gallery wraps that sell for $600-$1000 a print. I’ve a print that is going in a show this weekend as part of the Somerville Open Studios (http://www.somervilleopenstudios.org/) and BLINK! (http://digitalsilverimaging.com/digital-printing-blog/). That print is from a visual journalism workshop we ran in India as part of our Visual Reportage Workshop series (http://visualreportage.com/). It is a serious piece shot in the Dharavi slum. It is printed in black and white (because we all know how much gravitas that elicits–said with half a laugh and a wink). It shows the area in all its abject poverty and surreal beauty and I’m very proud of it. It is for sale there for $500 and nobody will probably buy it. But these gallery wraps of tiny planets from peoples weddings–well they are so fun and look great on canvas and folks love to have them hanging.
As a Boston wedding photographer, trained journalist and teacher/mentor of visual journalism I am always shooting, editing and thinking about photography. It is my Life right down to the everyday constant of documenting my family (sometimes to their protest). So while I was with my class shooting the Boston Marathon I again had some fun with the images from there. I know it is a serious sporting event but it was much more this year–my students did an admirable job with their video projects, the runners ran, the crowds cheered and security secured. It was festive and light and so to was my favorite photo:
This was one of my most “liked” photos on Istagram (http://instagram.com/dmpj) and while “likes” are no measure whatsoever of a photo’s merit or even worth–they are an indication of its dollar value to some degree. As artists we need to feel the value of what we do deep within us. It must scratch the itch on the ass of our Soul. But we also must eat, pay our bills and have enough money to by more camera gear, or paints or clay…and crazy iPhone apps ;-). And we must have some fun.
Lots of fun with Sondra and Erik and their little doggie strolling about Beacon Hill and then stepping out in the North End. As a Boston wedding photographer I always encourages my couples to bring props (umbrella’s come in handy) and a quick change of clothes ’cause you never know what Mother Nature will do. S &E took it to a whole ‘nother level having a 4-year-old Yorkshire Terrier complete with hair-do and bling. I can’t wait to see if lil’Oliver will be the official ring bearer for their November wedding. Time will tell–until then we have their Summer engagement shoot–“And her little dog, too.”
Temps were in the 90s in Boston but Jessica and Leo were cool as could have been in front of the camera. They had a plan in mind and spots they wanted to hit–mostly the Boston Public Library and Copley. The late afternoon light was yummy and the haze provided a natural softbox–plus it didn’t hurt to have an assist from my super second camera, Chris Gagne–thank you! Just some pix from our day in the late-afternoon light of mid-Summer.
Chris Gagne– DMPJ’s Senior Photographer: how does he do it?